logos, book covers
and print.

I designed three covers for Albert Camus’s centenary, using a shared halftone portrait to connect the series. Each book has its own colour, with white brush-script titles across the image.

Creative direction for the covers and advertising of Can Dündar’s Yaveri Atatürk’ü Anlatıyor and Ergenekon. The memoir uses a photograph of Atatürk; Ergenekon takes its cue from a stamped official document.

I directed the cover and advertising for Zeruya Shalev’s Ve Yeniden Başlar Hayat. The puppet figure carries across both, with the advertisement extending the image to reveal the hand holding the strings.

Two advertising projects for Can Yayınları: Boris Pasternak’s Erken Trenlerde and Öykü Şenliği, a celebration of short stories. I led the creative direction for both.

I worked on this newspaper advertisement for Gilbert Sinoué’s historical novels, bringing three books together above an illustrated landscape of their settings.

A catalogue concept for Can Yayınları’s 2013 and 2014 titles. I built the year numbers from the names of its authors, including Alice Munro, Oscar Wilde, André Gide and Goethe.

A spread from the same catalogue concept, pairing literary awards with a heart made from miniature book covers. I led the creative direction.

I designed Akava’s café identity around a gold wordmark and geometric symbols drawn from playing cards. The theme carries through the stationery and a card of its own.

For Karafırın, I drew a mountain grouse in loose, scribbled lines. It became the main mark in an identity that carried through packaging, menus and stationery.

A connected lowercase lettermark for gn International, designed at Act Creative. The g and n share a line, with yellow, green and blue defining the different parts.

Logo design for ERA LED Light, part of my work on the brand at Act Creative. I also developed a catalogue concept for its lighting products.

I designed Promeka’s logo and visual identity. An arc runs through the wordmark, while a blue wave motif carries across the stationery and presentation materials.

Artı means “plus” in Turkish. I used a folded blue plus sign as the basis of Yapı Artı’s logo and identity at Act Creative.

I turned the initials of Flats in İstanbul into a house-shaped mark. The identity extends to guest materials, including minibar menus and door hangers.

A poster I designed for MOC at the Istanbul Coffee Festival. The distorted cup is a visual play on the Turkish headline, Kahveyi çekiştiriyoruz.

I worked on Karafırın’s menu at Act Creative, extending the identity into a clipboard format with a single-sheet layout.

Packaging work for Karafırın at Act Creative, carrying the grouse illustration and hand-drawn graphics across bread bags, boxes and labels.

Chalkboard menus and stationery for Karafırın, made at Act Creative. The café’s black, white and red identity carries through the printed pieces.

A menu cover for the Cruise Lounge at Radisson Blu, created at Act Creative. It combines brush-script lettering with a geometric background.

I designed this folded brochure for Hyatt Concierge, combining hospitality photography with text on dark panels.

A catalogue concept I designed for ERA LED Light, using light and shadow across white geometric forms.